Tuesday, January 28, 2020

KOBE BRYANT CRASH

Kobe Bryant Joins a Long List of Celebrity Death Flights
They may all have one shocking thing in common?

(CNN)In his final transmission, the pilot of a helicopter that crashed, killing nine people including NBA legend Kobe Bryant, told air traffic control he was climbing to avoid a cloud layer, the National Transportation Safety Board said Monday.
When air traffic control asked the pilot what he planned to do, there was no reply, NTSB board member Jennifer Homendy told reporters. The last radar contact was around 9:45 a.m. (12:45 p.m. ET) Sunday, she said.
Radar data indicated the helicopter climbed 2,300 feet and began a left descending turn, she said.

Here is a post from THE HOT WIRE TIMES from 7 February 2015:

INSTRUMENT FLYING FOR DUMMIES
Why pilots fly on instruments instead of looking out the window

Most people believe that flying an aircraft in cloud is really not much different to flying in clear air, after all they must still know which way they are going, which is up and which is down, whether they are turning or flying straight, climbing or descending. It should all be easy. If they can’t see, there is nothing to stop them going by feel. Okay, they may find it a little hard to locate a destination airport but getting to the general vicinity should be a piece of cake. What could possibly go wrong? 

Unfortunately, many low-time private pilots also believe this dangerous fallacy. During the earliest years of aviation, accidents were common. Structural failure and loss of control was the most common cause, but as aircraft design, performance, and pilot training improved, another hazard presented itself. Pilots flying in reduced visibility often encountered a new kind of hazard that they were untrained and unprepared for. It was called spatial disorientation.
Spatial disorientation is a sneaky but rapid killer. Many victims strike the ground at high speed before they even realise there is a problem. Others fight for control, but rely on their senses or feelings, rather than their instruments for situational awareness. Spatial disorientation can take several forms. Typically, a pilot who is untrained for instrument flying, will feel a slight rotation about one of the three axis of his machine; he will feel pitch, roll or yaw. So, he will make a small correction to bring it back on even keel, but that will be when his troubles may really begin. He may over-correct, or under-correct. For example, if he detects a slight turn to the right, he will apply opposite control (the same inputs for starting a left turn), but as the rate of turn decreases it will already feel as though he has started a turn in the opposite direction and as there are no external reference points to tell him otherwise, he will believe his feelings.

But that situation is only the beginning of the pilot’s problems because turning an aircraft, in terms of dynamics, is not a simple matter. It involves rotation around all three axis. It rolls, pitches and yaws all in the same movement and the pilot must control all three simultaneously. If he fails to do that accurately a fourth dimension immediately comes into play and that dimension is airspeed. So now the pilot has four things to control and the minor disturbance (or misconception) that started with a small correction on the controls has quickly become a complicated but crucial situation. The pilot’s actions in the next few seconds will determine whether he lives or dies. Most modern aircraft can fly straight and level for a time without any input from the pilot. They are inherently stable, but only until they start to turn. Left to its own devices the angle of bank will get progressively steeper, the radius of turn will tighten and the nose will drop allowing the airspeed to increase. Within a few seconds, perhaps a minute or two at the most, the gentle turn will have developed into what is commonly known as a graveyard spiral. The only uncertainty with a graveyard spiral is the question of which will come first – structural failure, or impact with the ground.


 The standard IFR panel for many years was known as The Six Pack. From L to R, top to bottom, they
                       were the Airspeed Indicator, Artificial Horizon, Altimeter, Turn & Bank Indicator, Gyro Compass
                                                                             and Vertical Speed Indicator

The pilot’s instruments will tell him early in the event exactly what is happening, but if he doesn’t understand them, they will be of little use. Before undergoing thorough instrument flight training all pilots believe their bodily senses, just as we do all day every day on the ground when we have external reference points. He will also believe the forces on the seat of his pants and the balance mechanisms in our ears. That’s the natural thing to do. But instrument flying is not natural. Without training, understanding and self-discipline, an untrained pilot in cloud or fog, will fare no better than a scared cat on a multi-lane, busy highway. Control and panic do not belong together.

Flight safety started to improve after research and development work by the legendary American pilot, Jimmy Doolittle. In 1929, Doolittle made the first successful take-off, circuit and landing, flying solely by reference to instruments. His developments included the artificial horizon and the gyro compass. Within a few years most airline and military flying was conducted using Instrument Flight Rules and aviation became safer.

When this blogger started flying in 1954 there was a rule that pilots who were not instrument rated, or not flying on an IFR (Instrument Flight Rules) flight plan had to stay at least 500 feet vertically and 2,000 feet horizontally from cloud. They were limited to VFR (Visual Flight Rules) and they operated in airspace away from IFR controlled airspace. It was a sound rule. But many pilots, deliberately or accidentally, strayed from the rule, and many paid with their lives.  

But even today, many people including some pilots, believe that their natural senses will be all they need to survive in cloud or fog. When that thinking is combined with a poor understanding of the weather and visibility along the route, rugged terrain and over-confidence, accidents are bound to happen. In the worst-case scenario, marginal weather can change to no-go weather, a pilot can be caught en route with nowhere to go and may be forced to land away from an airport. Visual flying by the inexperienced can be hazardous even when the intentions are good. Even now 40% of all general aviation accidents can be attributed to loss of control due to spatial disorientation.

There is a long list of celebrity visual pilots and passengers who died trusting their senses instead of getting the correct training and trusting their instruments.

Singers Patsy Cline and Jim Reeves had more than singing in common. Cline’s pilot and Reeves were trained by the same flight instructor. Neither pilot was instrument rated but both died while attempting to fly in instrument conditions. Buddy Holly died when his non-instrument rated charter pilot took-off into a snowstorm at night. Boxer Rocky Marciano died in a Cessna 172 flown in poor visibility by a pilot who was not instrument rated. More recently, John F. Kennedy Jnr died when he lost control of his aircraft during a flight over water on a dark night. He was not instrument rated.
After I had been flying for several years I undertook the training for an instrument rating, including cross-country navigation, various instrument approaches and recovery from unusual situations, not so that I could file an IFR flight plan and cruise above the clouds, but just for insurance against my own errors of judgement while flying VFR. I believe every pilot should be trained to IFR standard.

Many of the spatial disorientation accidents happen in aircraft fully equipped for instrument flying, but to pilots who are not instrument trained. Some of them seem to believe that having the instruments is more important than the training, but they continue to believe their natural instincts instead of the instruments and continue to die with only seconds warning.


No comments:

Post a Comment

BEYOND THE SEAS

This is my latest historical novel  Beyond the Seas When twelve-year-old orphan Nathaniel Asker is shipped from the back alleys of London to...